vol. 7, num. 7 :: 2008.04.04 — 2008.04.18
Move after move, we pack them into boxes and then unpack them into places they’ll stay until the next time we uproot for a new place. What are some of the stories behind the sentimental objects that follow us from house to house, state to state, country to country?
A series of very short essays on meaningful things people have seen fit to keep around.
Moving from anti-matter schizophrenia to an appropriate delight in things.
On the complexities of giving out favorite books.
A simple tool can tell a book’s worth of memories.
A confession about a collection and reflection on its purpose.
Everyday things can surround us with the stories of our lives.
On the rag that does the dirty work as a reminder of God’s love.
A childhood gift becomes a constant companion.
Deep remembering may or may not depend on the things we actually keep.
On the broader implications of the upside down world in David Simon’s Baltimore.
A 1968 film about an English boarding school rebel may send you looking for African folk music.
Agn's Varda's amazing film, The Gleaners and I, explores the subjectivity of value and beauty as she captures images of the forgotten, the hidden, and the abandoned.
How to worship God through composting.
Could filling a roll-off be considered a spiritual discipline?
Aiden Enns articulates his struggles with the “culture industry” in 21st century society.
BK Loren writes about claiming relatives we hardly resemble anymore.
An exploration of the intricate art of packaging in Japan.
What is the difference between keeping and possessing?
Even in a country you know by heart
its hard to go the same way twice
the life of the going changes.
The chances change and make a new way.
Any tree or stone or bird
can be the bud of a new direction. The
natural correction is to make intent
of accident. To get back before dark
is the art of going.
Wendell Berry
“Traveling at Home” from Traveling at Home
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