Vol 9, Num 20 :: 2010.11.05 — 2010.11.18
for JMS
It doesn’t take much
 to derail a song — 
 bad idea, bad singing,
 bad tuning, a heart attack,
 or even a broken string or two.
 It’s just enough
 to knock harmony
 down a few steps,
 to bring everything
 to a screeching halt.
 What else are young musicians
 to do but stop, tune and retune
 never quite sounding the same.
 The audience won’t help,
 thinking about reaching out
 or applauding but they stick in silence
 between the seat and the stage.
 You can’t beat feet back to childhood,
 snuggle up in your father’s lap
 and unwrap caramels and Bilbo Baggins,
 all the while rocking the old chair, smidge
 by smidge towards the fireplace
 one detuned squeak at a time;
 and I can’t retreat to the dark
 woods of my first hunting trip
 where my dad builds a fire for my chills
 where the syncopation of wet
 whining sticks and popping coals
 unwind a thread of smoke from the pines.
 So we saunter on with no melody,
 no music — this lost voice
 crackling in the dying embers
 still smoldering, still creaking.
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